Jack Straw New Media Gallery
The Northwest’s premier space for immersive installation art combining sound, digital media, and other genres.
2024-25 New Media Gallery Artists and Exhibits
Athr | D BUTTERFLY EFEKT READ MORE >
Laura Luna Castillo | Onix y Marmol READ MORE >
Athr READ MORE >
Laura Luna Castillo READ MORE >
Till the Teeth READ MORE >
Maya Nguyen READ MORE >
Tara Tamaribuchi READ MORE >
2024 Panelists
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May Maylisa Cat is a multidisciplinary artist and critic whose work spans new media, performance art, sculpture, and installation. Her projects have received support from the Franklin Furnace Fund; Oregon Arts Commission; Open Signal New Media Fellowship; and Regional Arts and Culture Council of Portland, OR. In June 2022, Cat earned the Lilla Jewel Award, named in honor of the artist, radical feminist and suffragist, Lilla Jewel, for advancing a social change message through her work. She is a recipient of the 2022 Oregon Arts Commission Individual Artist Fellowship. In 2024, Cat emceed “16:9–Reframing Glass,” a glass film festival at the Chazen Museum of Art in Madison, WI. She has attended residencies at Chautauqua Visual Arts, Santa Fe Art Institute, Fountainhead Arts, Pilchuck Glass School, Wassaic Project, Caldera Arts, and many others. She has spoken as a guest lecturer for Carnegie Mellon University School of Fine Art in Pittsburgh, PA; Yale School of Art in New Haven, CT; and Cooper Union in New York, NY. |
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Ching-In Chen is a genderqueer Chinese American hybrid writer, community organizer, and teacher. They are author of The Heart’s Traffic (Arktoi/Red Hen Press) and recombinant (Kelsey Street Press; winner of 2018 Lambda Literary Award for Transgender Poetry), as well as the chapbooks how to make black paper sing (speCt! Books, 2019) and Kundiman for Kin :: Information Retrieval for Monsters (Portable Press at Yo-Yo Labs and a Finalist for the Leslie Scalapino Award). Chen is also co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities (South End Press, 2011; AK Press 2016) and Here Is a Pen: an Anthology of West Coast Kundiman Poets (Achiote Press, 2009). They have received fellowships from Kundiman, Lambda, Watering Hole, Can Serrat and Imagining America and are part of Macondo and Voices of Our Nations Arts Foundation writing communities. They are currently Assistant Professor at the University of Washington Bothell. |
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Sasha K Petrenko (she/her) is an earthling, artist and storyteller. Her interdisciplinary practice blends sculpture, theater, video and sound. Rooted in eco-feminism, rock n’ roll, and post-apocalypse studies, Sasha’s work functions as an invitation for audience members to collectively create sonic, somatic experiences. Recent performances include Northwest New Works Festival, On the Boards, Seattle, 2019; Power of Language Conference, Wesleyan College, CT, 2021; We Will Not Be Silent, Western Gallery, Bellingham, 2021; and Your Anomaly is my Normal at the Bellingham Alternative Library, 2022, a collaborative performance with students in Dance, Art and Music. Petrenko has received residencies and fellowships from the Zellerbach Family Foundation, the Headlands Center for the Arts, University of California’s Sagehen Field Station, The Djerassi Foundation, and the LAB, in San Francisco, Oberpfälzer Künstlerhaus in Germany, and Robert Wilson’s Watermill Center, NY. She is the Assistant Professor of Sculpture + Expanded Media at Western Washington University in Bellingham. |
