Jack Straw New Media Gallery
The Northwest’s premier space for immersive installation art combining sound, digital media, and other genres.
Yunmi Her | Natural Individuals READ MORE >
Julia Freeman | IRISIRIS READ MORE >
Cameron Perry Fraser | Large String Array READ MORE >
Yunmi Her READ MORE >
Julia Freeman READ MORE >
Cameron Perry Fraser READ MORE >
Luann Bice READ MORE >
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Nina Bozicnik is associate curator at the Henry Art Gallery, at the University of Washington. At the Henry she has organized the exhibitions Between Bodies (2018), Martha Friedman: Castoffs (2018), The Time. The Place. Contemporary Art from the Collection (2017), MOTHA and Chris E. Vargas present: Trans Hirstory in 99 Objects (2016), and Michelle Handelman: Irma Vep, The Last Breath (2015), among others. Before joining the team at the Henry, she held curatorial positions at the Currier Museum of Art, Manchester, New Hampshire and at the deCordova Sculpture Park + Museum, Lincoln, Massachusetts. She holds an MA in Art History and Museum Studies from Tufts University. |
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Michelle de la Vega is a multidisciplinary, installation and social practice artist in Seattle. Her large-scale ventures endeavor to push social and aesthetic boundaries through community dialogue, concept driven materiality and community investment on a wide scale. Michelle was recently commissioned to create a permanent outdoor sculpture for Sound Transit’s Light Rail Station at the new Kent / Des Moines location, and she is excited to be a guest curator for the 2019 Bellwether Grand Connection exhibition. Michelle was named as an Artist of the Year in 2017 by City Arts Magazine, facilitates a women’s art program in the King County Jail in partnership with The Organization for Prostitution Survivors, and is a beekeeper. |
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Juan Pampin is Professor of Music Composition at University of Washington and founding faculty member of the Center for Digital Arts and Experimental Media (DXARTS), for which he currently serves as Director. He received an MA in Composition from Conservatoire National Supérieur de Musique de Lyon, France, and a DMA in Composition from Stanford University, where he studied with composer Jonathan Harvey. Juan Pampin’s work explores the concepts of site, memory, and materiality using algorithmic strategies to produce aural phenomena. His sound installations –consisting of site-specific and immersive sonic environments– have been exhibited at many international venues and festivals. Juan Pampin’s music compositions –including pieces for instrumental, digital, and mixed media– have been performed around the world by world-class soloists and ensembles. His “Percussion Cycle” –recorded by Les Percussions de Strasbourg– has been recently released on CD by Sargasso Records, London. |
The Jack Straw Writers Program, Artist Support Program, and New Media Gallery Program offer established and emerging artists in diverse disciplines an opportunity to explore the creative use of sound in a professional atmosphere through residencies in our recording studios and participation in our various presentation programs.
The Jack Straw Writers Program was created in 1997 to introduce local writers to the medium of recorded audio; to develop their presentation skills for both live and recorded readings; to encourage the creation of new literary work; to present the writers and their work in live readings, an anthology, on the web, and on the radio; and to build community among writers.
The Artist Support Program has been assisting artists working creatively with sound since 1994, including writers, choreographers, multidisciplinary artists, theatre sound designers, radio producers, film makers, visual artists, and musicians and composers of all types. Every year, up to eight artists are awarded twenty hours of studio recording and production time with a Jack Straw engineer; an additional twelve artists receive matching awards for studio time.